In Bear Traps, the divide between brothers Jack and Hal is as much emotional as physical, marked by a gritty line of gravel on stage that hints at years of built-up tension. Each brother sits perched on their own stool, a setup that feels as stark as their story. The play, unfolding in three acts, gives us a glimpse into the effects of time and distance on family bonds, moving through a memory-laden road trip, an art gallery showcasing Hal’s work, and a reunion where silence often speaks louder than words. It’s an understated piece, but Harding-Perrott and Sumner bring a quiet intensity to these roles, capturing the ache of sibling relationships left unresolved.
“The lights went out, but the distance remained” might capture the essence here.
This isn’t theatre that attempts to dazzle; instead, it draws you in with small, careful moments. The gravel line on stage serves as both literal road and metaphorical divide, subtly framing each scene with a reminder of what separates the brothers as much as what once held them together.
Tim Harcourt’s portrayal of Graeme, an old friend who adds moments of humour and levity, balances the reflective tone and gives the play some much-needed warmth. His presence is a refreshing change of pace, grounding the piece when it risks becoming too inward. The nostalgic soundtrack, featuring classics by Dylan and McLean, adds an emotional layer that speaks to the shared history between the brothers, lending a wistful backdrop to the unfolding tension.
For those who appreciate slow, layered storytelling, Bear Traps has its own charm. Keaton Jackson’s script leaves some narrative threads intentionally loose, creating a quiet ambiguity that invites reflection, though it may leave some wanting more clarity.
Final Thoughts ★★★☆
Would I recommend Bear Traps? Yes, for fans of understated family drama. It’s a gentle journey that lingers in the quiet spaces – familiar but thoughtfully done. I found myself really torn between a 3 and 4-star rating though.
Playing at the Golden Goose Theatre until 9 November 2024.
Disclaimer: A complimentary ticket was provided in return for an honest and unbiased review.
More Reading
- A Queer Cowboy in the City: Lonesome’s Gritty Tale of Queer Longing and Discovery
- All of Us Strangers: A Hauntingly Beautiful Exploration of What Could Have Been
- Bear Traps at The Golden Goose Theatre: A Quiet Look at Family Ties and Black Holes
- Buried Truths and Second Chances: Two Come Home Delivers a Heartfelt, Moving Reckoning
