Queer gothic chaos meets razor-sharp comedy inĀ Count Dykula, Airlock Theatreās latest campy delight at Soho Theatre. This lesbian vampire romp, part parody, part panto, and entirely unapologetic, is a high-energy ride that left the audience howling-both with laughter and, possibly, a thirst for more.
The show takes familiar horror tropes and flips them on their fanged heads, leaning into absurdity while never losing sight of the wit and intelligence beneath the gags. The script, packed with punchlines and knowing winks, is refreshingly self-aware, playing with the camp of classic vampire tales while embedding it in a proudly Queer sensibility.
The performances are electric, with the cast fully committed to the absurdity of the premise. The lead, exuding charisma and impeccable comedic timing, keeps the energy sky-high, while the supporting ensemble ensures every moment is played for maximum effect. Whether through over-the-top physical comedy, delightfully ridiculous musical numbers, or biting satire,Ā Count DykulaĀ knows exactly what it wants to be-a shamelessly entertaining spectacle.
A fang-tastic blend of camp, chaos, and comedy that refuses to be anything but unapologetically Queer
WhileĀ Count DykulaĀ is undeniably fun, it doesnāt always sink its teeth as deeply as it could into its satirical potential. The pacing, at times, feels a little erratic, with some gags stretching longer than necessary, and certain themes could have been explored with more nuance. Yet, these are minor quibbles in an otherwise riotous production that embraces camp in all its glory.
TheĀ Soho TheatreĀ proves to be the perfect venue, its intimate space allowing for audience engagement that enhances the productionās chaotic charm. The sound and lighting design add a gothic flair, effectively immersing the audience in this delightfully ludicrous world. The clever use of shadow and light plays into the horror aesthetic, while the occasional use of fog effects further envelops the audience in the supernatural setting. Costume design also deserves a mention, with its exaggerated vampiric stylings adding an extra layer of campy brilliance.
Additionally, the script balances its humour with sharp observations about gender, sexuality, and representation. It playfully critiques the ways in which horror and vampire lore have long been tied to themes of repression and otherness, reclaiming them in a joyous and unapologetically Queer way. The production shines brightest when it fully embraces its identity, allowing Queerness to be at the heart of both its comedy and its storytelling.
Final Thoughts ā ā ā ā
Would I recommendĀ Count Dykula? Absolutely. If youāre in the mood for a riotous Queer horror-comedy that leans into absurdity with fang-baring glee, this is the show for you. It may not always deliver a deadly bite, but it certainly leaves a lasting mark! With its sharp satire, dazzling performances, and unrelenting energy, Count DykulaĀ is an experience worth sinking your teeth into.
Playing at Soho Theatre until 1 March 2025.
Disclaimer: A complimentary ticket was provided in return for an honest and unbiased review.
More Reading
- A Dollās House at the Golden Goose Theatre ā A Stark and Intimate Retelling
- A Queer Cowboy in the City:Ā Lonesomeās Gritty Tale of Queer Longing and Discovery
- A Streetcar Named Desire: A Shattering, Sensational Revival
- All of Us Strangers: A Hauntingly Beautiful Exploration of What Could Have Been
