Going for Gold at the Park Theatre delivers a punchy and poignant exploration of identity, ambition, and the battles fought both inside and outside the boxing ring. Inspired by the true story of Frankie Lucas, a Black boxer in 1970s London, this is as much about resilience as it is about the politics of belonging.
Jazz Lintott is exceptional as Frankie, bringing a quiet yet commanding presence to the role. His portrayal captures both Frankieās physicality and his vulnerability, giving the character an authenticity that keeps you rooting for him, even when the odds are stacked higher than a refereeās stool. Frankieās journey feels raw and real, a testament to both the writing and Lintottās deft performance.
A story that shines as brightly as the ring lights, while hitting hard on themes of identity and perseverance.
The visuals are another champion here. With a minimalist set designed by Erin Guan and striking lighting by Cheng Keng, the production shifts effortlessly between the bright intensity of the boxing ring and shadowed moments of introspection. Together, they bring Frankieās world to life with sharp, stylish precision.
The first act comes out swinging, full of energy and purpose. Frankieās rise as a national boxing champion is compelling, with the script moving at a brisk pace that mirrors the rapid punches of the sport itself. The fight choreography, directed by Rupert Charmak, adds another layer of authenticity to the boxing sequences. Philip J Morris and Xanthus direct with a razor-sharp focus that pulls the audience into Frankieās struggles and aspirations.
The second act, however, takes a slower and more reflective approach. While this shift adds emotional weight and gives space to explore Frankieās deeper battles ā with identity, systemic racism, and personal loss ā it sometimes lingers too long, stretching moments that could land better with a touch more pace. Itās a minor stumble in an otherwise solid production, with the extended pacing pushing the runtime just over two hours and slightly diluting the playās earlier momentum.
What makes Going for Gold stand out is its nuanced portrayal of systemic racism within the world of sport. Frankieās choice to represent Saint Vincent, after being denied the chance to compete for England, transcends the realm of athletics. It becomes a poignant reflection on identity, exclusion, and resilience. The play doesnāt shy away from the mental health challenges faced by Black athletes ā a theme sensitively woven into the narrative. By spotlighting the contrast between physical strength and internal struggles, the production adds a profound emotional depth that will linger with the audience.
With knockout performances and striking visuals, Going for Gold proves itself a heavyweight contender.
The supporting cast brings warmth and complexity to Frankieās world. Llewella Gideon is a standout as Gene, Frankieās first love, infusing her performance with charm and wit. Each character adds their own thread to the tapestry of Frankieās life, making his journey feel richly textured and deeply human.
Final Thoughts ā ā ā ā
Would I recommend Going for Gold? Absolutely. This is a story of triumph in the face of adversity, brought to life with heartfelt performances and striking visuals. Frankie Lucasās journey is not just about winning a gold medal ā though he does that too ā but about proving to himself and the world that barriers, no matter how systemic, can be overcome.
The productionās slower second half doesnāt detract from the emotional weight of the story, and the sheer power of its message leaves a lasting impression. With its compelling exploration of resilience, ambition, and identity, Going for Gold is a knockout both inside and outside the ring.
Playing at the Park Theatre until 30 November 2024.
Disclaimer: A complimentary ticket was provided in return for an honest and unbiased review.
More Reading
- A Queer Cowboy in the City:Ā Lonesomeās Gritty Tale of Queer Longing and Discovery
- All of Us Strangers: A Hauntingly Beautiful Exploration of What Could Have Been
- Bear Traps atĀ The Golden Goose Theatre: A Quiet Look at Family Ties and Black Holes
- Buried Truths and Second Chances:Ā Two Come HomeĀ Delivers a Heartfelt, Moving Reckoning
