Photo by Charlie Flint

Dear Martin: A Darkly Comic Look at Unlikely Friendships and Psychological Games

Dear Martin, written by Madeleine Brettingham and directed by Wiebke Green, brings a darkly comic and unsettling energy to the stage at Arcola Theatre. It is a story of twisted connections, power dynamics, and unexpected humour, set against the backdrop of a high-security psychiatric facility. While the production has its strengths, it does not always fully land its balance between dark comedy and psychological tension, making for an intriguing but uneven experience.

The story centres on Dave, an ordinary man whose life takes a bizarre turn when he discovers his wife’s secret correspondence with Martin, a charismatic but dangerous inmate. Curiosity turns into obsession, and soon Dave finds himself drawn into a strange and unsettling friendship with Martin. As their conversations unfold, so do the uncomfortable questions about morality, manipulation, and the fragile nature of identity. Alex Mugnaioni gives a chilling yet oddly charming performance as Martin, while Ben Simpson’s portrayal of Dave captures both his vulnerability and desperation with precision. However, at times, the dynamic between them feels repetitive, with some scenes dragging rather than deepening the tension.

Walks a razor-thin line between comedy and psychological unease, making for an experience that is as funny as it is unsettling

Wiebke Green’s direction ensures the tension remains palpable, balancing moments of dark humour with an undercurrent of unease. The pacing is sharp in parts, but some scenes lose momentum, particularly in the second half. The minimalist set design by Kit Hinchcliffe, stark and clinical, enhances the sense of confinement and heightens the focus on the characters’ interactions. Lucía Sánchez Roldán’s lighting subtly underscores the shifting moods of the piece, ensuring that even the comedic moments carry an unsettling edge.

Madeleine Brettingham’s script is filled with wit and intelligence, though at times it struggles to maintain a consistent tone. The dialogue is crisp and engaging, revealing layers of character motivations with every exchange. However, the play leans more heavily into its comedic elements in the first half, only fully embracing its darker psychological depths later on, making for a tonal shift that feels somewhat abrupt rather than seamless.

Final Thoughts ★★★

Would I recommend Dear Martin? Yes. It is a thought-provoking and well-acted production with moments of brilliance, but it does not always achieve the sharpness it aims for. While the performances and design elements are strong, the play’s pacing and tonal shifts occasionally dilute its impact. For those who enjoy dark comedy with an unsettling edge, it is still worth a watch, though it may leave some wishing for a stronger narrative focus.

Playing at the Arcola Theatre until 29 March 2025.

Disclaimer: A complimentary ticket was provided in return for an honest and unbiased review.

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